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Безымянный-1.jpg

Reference to Porfiry Falbov's  still life

1958, Dushanbe, Tajikistan

S. Sharifi, O. Sharifi

Omelette for an artist

oil on canvas, 87.5X102.5 cm, 2018

Suleiman Sharifi

Reference to Todd Rundgren's Utopia 1974
with the Maruo Miyauchi eye cover  

 

Suleiman Sharifi
Ozar Sharifi
SPECULUM (The spark of life)
oil on canvas, 72x72 cm 

2015

Suleiman Sharifi

Reference to Pairav Sulaimoni’s manuscript
Suleiman Sharifi "Letters", oil on canvas, 70x70cm 2001 - 2016


SOLAYMĀNI, Ātajān Peyrow
article by Keith Hitchins professor of History
University of Illinois at Urbana-Champaign

 

Reference to Robert Brownjohn's album cover design

Suleiman Sharifi, Rhythm and Blues (Vinyl Thread) 

oil on canvas, 95x75, 2001 - 2012

S. Sharifi  A SOURCE collage 2020

The melon is divided into four parts according to the seasons of the year. Spring - birth (bottom left, further clockwise), Summer - expectation, Autumn - maturity and finally Winter, when living patterns on the body of a melon turn into simple figures. The founder of Suprematism, Kazimir Malevich, who declared the rejection of the shells of objects in favor of the simplest forms - squares, circles and triangles on a white background - the foundations of the universe, prototypes of everything in the real world. So, in the WINTER phase, living and moving patterns on the body of the melon freeze into symbols - the seeds ready to give new life and a new cycle

S. Sharifi THE HEART OF MELON oil canvas, 75x95cm, 1999

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