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Suleiman Sharifi, Ozar Sharifi  

photo art "Breaks"

2008

 

National Museum, Dushanbe
Contemporary art project "Pre-Islamic Heritage of Tajikistan
Non-museum Interpretation"
HIVOS, Bactria ACTED

 

 

Suleiman Sharifi, Ozar Sharifi   “Fortress”

 photo art, 2012

 

“Make your idea visual”
First Solo Contemporary Art Exhibition in Tajikistan
OSI Tajikistan, American Corner Dushanbe

National library, Dushanbe

Suleiman Sharifi, Ozar Sharifi   “Mosaic”

 photo art, 2010

 

“Make your idea visual”
First Solo Contemporary Art Exhibition in Tajikistan
OSI Tajikistan, American Corner Dushanbe

National library, Dushanbe

Suleiman Sharifi, Ozar Sharifi   “Golden Vynil” 

 instalation, photo art, 2006

                                                                   

Tajik-Austrian contemporary art project “Khub - Good”   

Unified space     

National Museum, Dushanbe

Suleiman Sharifi, Ozar Sharifi  

Deadlock, photo art, digital printing, 2012

 

April Fools Contest in Bishkek topic: "TRAVEL GUIDE"

on Central Asia / a private look / 2012

 

Synopsis:

A pointer directs on a route that is deadlock.  Exit from the route is not easy,

because the wall is duplicated it...

Suleiman Sharifi, Ozar Sharifi   “Metaphysics of objects in the space of Qurghon Teppa”

 photo art, 2012

Art residence in Hatlon region of Tajikistan: "Contemporary art : from concept to an artifact"

 

 

Suleiman Sharifi, Ozar Sharifi   “Metaphysics of objects in the space of Khujand”

 photo art, 2012

Art residence in Sogd region of Tajikistan: "Contemporary art : from concept to an artifact" 

 

 

Suleiman Sharifi, Ozar Sharifi   “hydraulic facility”

 photo art, 2016

 

Indicatory immersion

photo, 2011

 

Serik Booxikov     Kazakhstan
Suleiman Sharifi   Tajikistan
Tavy Hornbrook    Germany

 

Б’art contemporary 

The Christensen Fund

Contemporary art exhibition

Kyrgyznational Agrarian University Bishkek 07. 09 – 10.09. 2011

 

 

 

 

Artists from different countries gathered in Issyk-Kul, representing the ethnic and cultural diversity of society. For one week they lived in yurts, made films, wrote genre sketches, and completed installations and performances. And they themselves also became the material for the art project. Photos were taken in a makeshift darkroom. The face of each artist was kind of an identification symbol, a sign of its society, and the composition of these signs became the field of interaction between different cultures and diversities. For several days we shot the artists from the exact same angle. Twenty people in a state of openness to the world. Spiritual light, with its history, and its message.

 

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